All Stories

Everything we've published, newest first.

Surrealism, an emptied Russian Pavilion and a fountain smuggled out of Kyiv in a white Audi: the 59th Biennale, where the going gets weirder.

Talking art with the curator and artists of the Philippine Pavilion over liters of Birra Moretti in the beautiful sinking city.

Chronic pain in the hands of a fiber artist who crochets for a living: Aze Ong on making her largest work yet for Art Fair Philippines.

The Ilustrado novelist on disinformation, power, and who gets to tell the stories the world will know as true, from a desk of literary detritus.

‘When you write,’ Manong Frankie said in a voice that could fell ancient trees, ‘it’s not just with words.’ There is a trail of a life in every word.

Goodbye to the late, great Noli Aurillo, who chanted ‘Au au au!’ to the room before conjuring magic with a deck of cards or one guitar.

Curators Khadka and Furunes take a Special Mention for “Structures of Mutual Support,” the Philippines’ first-ever Venice Biennale award.

Two Tokyo shows timed to the Olympics: Ronald Ventura on anime eyes, emoji as language, and a reality we can no longer tell from the cartoon.

Trying to encapsulate David Medalla in one article is like reducing eternity to an hour. His partner and friends attempt it anyway.

Bass traps, butcher blocks and a Doberman named Lucca: how to make a small room sing without selling a kidney for the privilege.

Talim Island boyhood, an outrigger’s balancing arm and a witch under a weather-map umbrella: Ronson Culibrina paints the temper of the times.

Ruiz, Ocampo, Miel, Borlongan and Justiniani on what the lockdown did to their practice, and why art is the last thing out of Pandora’s jar.