All Stories

Everything we've published, newest first.

Sepia collage of F. Sionil José: the smiling novelist in his black beret beside a marble bust of his likeness, layered over a scene of him at the typewriter and acacia branches overhead

The solitary saga of Manong Frankie

‘When you write,’ Manong Frankie said in a voice that could fell ancient trees, ‘it’s not just with words.’ There is a trail of a life in every word.

By Igan D'Bayan · January 8, 2022
In a black-and-white photo, guitarist Noli Aurillo bends low over his acoustic guitar, hair veiling his face, playing in a dim bar beside a microphone stand

The day the music died

Goodbye to the late, great Noli Aurillo, who chanted ‘Au au au!’ to the room before conjuring magic with a deck of cards or one guitar.

By Igan D'Bayan · October 25, 2021
Interior of the Philippine Pavilion at the Venice Architecture Biennale featuring the wooden library structure and daily visitors

Philippines wins historic first award at Venice Architecture Biennale

Curators Khadka and Furunes take a Special Mention for “Structures of Mutual Support,” the Philippines’ first-ever Venice Biennale award.

By Igan D'Bayan · September 4, 2021
Painting of a grayscale young woman with a color anime-eyes panel collaged across her face, Ventura’s Doll Eyes

Ronald Ventura’s hyper-realist Olympics

Two Tokyo shows timed to the Olympics: Ronald Ventura on anime eyes, emoji as language, and a reality we can no longer tell from the cartoon.

By Igan D'Bayan · August 9, 2021
David Medalla in a grey flat cap, seen in profile in warm light, looking down at a book in a cluttered room

‘David Medalla has left us to enter the dream’

Trying to encapsulate David Medalla in one article is like reducing eternity to an hour. His partner and friends attempt it anyway.

By Igan D'Bayan · January 11, 2021
Cthulhu in a pinstriped suit swirls a cocktail in his listening room (turntable, orange speaker and record crates at hand) as the far wall opens onto a Bosch-like inferno crackling with pink lightning

Audio Inferno: Or how I learned to stop worrying and love ‘Best Audiophile Voices Vol. 4’

Bass traps, butcher blocks and a Doberman named Lucca: how to make a small room sing without selling a kidney for the privilege.

By Igan D'Bayan · August 29, 2020
Ronson Culibrina sits in his studio surrounded by sketches, brushes and vivid canvases

Ronson Culibrina’s monsoon madness & rainbow spills

Talim Island boyhood, an outrigger’s balancing arm and a witch under a weather-map umbrella: Ronson Culibrina paints the temper of the times.

By Igan D'Bayan · July 6, 2020
Painting Dark Smoke by Olan Ventura: a blue figure in a gas mask clutching its head before a mushroom cloud

Galleria Pandemia: Art in the Time of COVID

Ruiz, Ocampo, Miel, Borlongan and Justiniani on what the lockdown did to their practice, and why art is the last thing out of Pandora’s jar.

By Igan D'Bayan · April 19, 2020
An aged three-eyed Cthulhu in plaid pajamas sits chin in hand like Rodin’s Thinker, volumes of Nietzsche, Sartre and Camus stacked at his side, while the TV announces the COVID-19 pandemic officially over

Art, The Day After

Written from inside the 2020 lockdown: what a random Tuesday will taste like again, and why art does not thrive in the bleakest of moments.

By Igan D'Bayan · April 6, 2020
Visitor in patterned clothes standing on a glass bridge looking down into the infinite mirrors and structures of Mark Justiniani’s Venice Biennale installation

A flood of words, water & wonder at the closing ceremony of the Venice Art Biennale

As the Biennale closes, Mark Justiniani’s mirrored “Island Weather” seems to ripple out of the Philippine Pavilion into the flooding lagoon city.

By Igan D'Bayan · January 20, 2020
Rows of vinyl bins under gold-foil walls in the cavernous Space Hall record store in Berlin

Houses of Wax and Other Hits

Vinyl resurgence, my ass. Digging through Paris, Berlin, Amsterdam and Budapest for the record you did not know you were looking for.

By Igan D'Bayan · January 4, 2020
Retro VHS-box artwork, “D’Videohaus presents”: Brando’s Godfather above a Taxi Driver sticker, a Scarface figure, jukebox, barber chair, family Polaroids and a flaming red sports car, ’80s Action Classics

The Art of War in the House of the Rising Sons

De Niro, Pacino, and a neighborhood video store ran by a balding guy we called the Caterpillar. Notes on a boyhood measured in VHS tape.

By Igan D'Bayan · November 11, 2019