A WRECKED ORDERING OF EVENTS

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Visitors gaze up at the towering “Detritus” triptych, a wall-sized graphite field of drawn rubble, bones and relief objects, in the dock hall

From Malabon to Venezia: Ronald Ventura mounts collateral show at 61st Venice Art Biennale

Four in the morning in Malabon in the Nineties, sopas at Connie’s, and a father who recognises his own town inside a drawing of Venice.

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A Lucerne Luxe magazine issue featuring a blue dial watch on the cover, surrounded by white canvas tote bags printed with Lucerne Watch Week and a pair of white watchmaker handling gloves resting on top

Manila is the place & Time is the story

Luxury watchmaking was never really about telling time. Sixteen watchmakers from Switzerland, Germany and Japan set up inside the Ayala Museum.

By Igan D'Bayan · August 4, 2026
Dark still life of a long haired writer with VU meters for eyes and a cassette taped over his mouth, holding a poodle in a REKORDR t-shirt among an Underwood typewriter, Steely Dan LPs and stacked archives of his newspaper years

Collected Irritations

A reader once wished my essays were collected in one book so she could hate everything in one place. Her wish is my command.

By Igan D'Bayan · July 28, 2026
Surrealist Boschian artwork depicting Igan D’Bayan interviewing Robert De Niro, Al Pacino, Salman Rushdie, and David Medalla at a round table surrounded by fantastical floating structures

Why I Am Not A Normal Writer

As the paper I write for marks its 40th anniversary, it seems only fitting to look back at some of the highlights from this gloriously bonkers career.

By Igan D'Bayan · July 27, 2026
The IKEA store in Älmhult, Sweden on a rainy night, seen through a rain-beaded car window, the Home of Ingvar Kamprad sign glowing over wet pavement

Eye-catching today, iconic tomorrow: Inside the Ikea PS 2026 Collection

Three days in Älmhult, where a foldable chair hangs like art, a bench rocks like Oktoberfest, and a chair you sit on turns out to be air.

By Igan D'Bayan · July 2, 2026
Ronald Ventura in his studio steadying a monumental winged male figure sculpture, a coiled woven form and shelves of casts behind

Malabon artist sets sail for Venice

Ronald Ventura transforms boat-body sculptures and lunar motifs into a meditation on water, survival, and the fragile ties between two cities.

By Igan D'Bayan · March 16, 2026
Wide shot of Somatosonic performing Totality 1.0 under blue stage lights: Christina Dy hanging upside-down on a pole, Tad Ermitaño at the electronics table, and Marco Ortiga bowing the Tungkod

‘Something sexy… happening in the Apocalypse’

Somatosonic’s performance wove together technology, sound, pole dance, audio-kinetic sculptures, live visuals, and a darkly brewing storm of sounds.

By Igan D'Bayan · December 6, 2025
Doktor Karayom’s book Ang Dalubkatawan ng Aking Paglalakbay, its crimson two-headed figure on the cover, beside a carved serpent and crates of vinyl records

Pula ang Kulay ng Katapusan

Bakit pula? A foreword to Doktor Karayom’s book of raw, anatomical musings, drawn somewhere between bangungot and alaala.

By Igan D'Bayan · December 4, 2025
Philippinen Ehrengast banner on the Frankfurt fair hall with the Messeturm tower rising behind

Why write with the archipelago on fire?

‘Literature is the slower type of art which is consumed in seclusion, a great antidote against the flood of information.’

By Igan D'Bayan · November 1, 2025
Cecile Licad in white-framed glasses smiles from behind an open concert grand piano

Cecile Licad’s tones of home

A Hamburg Steinway on the Banaue Rice Terraces, paksiw every morning, and the word motorsiklo written where accelerando should be.

By Igan D'Bayan · September 21, 2025

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The Philippine Star

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