From Malabon to Venezia: Ronald Ventura mounts collateral show at 61st Venice Art Biennale
Four in the morning in Malabon in the Nineties, sopas at Connie’s, and a father who recognises his own town inside a drawing of Venice.
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Moving in Stereo: Why do audio fools fall in love?
By Igan D'Bayan
Salman Rushdie at 75th Frankfurt Buchmesse: ‘It’s even more important to create beauty in a time of ugliness’
By Igan D'Bayan
Cecile Licad’s tones of home
By Igan D'Bayan
Requiem for Lady Polyester
By Igan D'Bayan
Maria Tan: Late nights, household objects, and the inextinguishable light of art
By Igan D'Bayan
The solitary saga of Manong Frankie
By Igan D'Bayan
People, events, dead centaurs, places
By Igan D'Bayan
In God’s country
By Igan D'Bayan
Salsa Night in the Land of Pharaohs
By Igan D'Bayan
Houses of the Holy
By Igan D'Bayan
You Can’t Always Get What You Want (in Bangkok)
By Igan D'Bayan
Videoke of Doom at the End of the World
By Igan D'BayanMore stories
Christina Dy draws the dance of the untraceable
Bone spurs, grafted cacti and a dancer’s aging body: Christina Dy goes back to charcoal on paper for “Chimera: New Drawings” at The Crucible.
Michelline Syjuco and the strange afterlives of things
Rusted sheet metal, railway timber, bullet casings, wingless angels: Michelline Syjuco welds the discarded into talismans you can wear.
Katya Angara: Sorceress supreme
Books, gardens and gothic reveries: inside Katya Angara’s “Sorceress” at The Crucible Gallery, where materials take on lives of their own.
Maria Tan: Late nights, household objects, and the inextinguishable light of art
Maria conjures vast imaginary spaces using spoons, forks, combs, toothbrushes and beauty blenders, alongside conventional paintbrushes.
Manila is the place & Time is the story
Luxury watchmaking was never really about telling time. Lucerne Watch Week brings 16 watchmakers from Switzerland, Germany and Japan to the Ayala Museum.
Collected Irritations
A reader once wished my essays were collected in one book so she could hate everything in one place. Her wish is my command.
Why I Am Not A Normal Writer
As the paper I write for marks its 40th anniversary, it seems only fitting to look back at some of the highlights from this gloriously bonkers career.
Eye-catching today, iconic tomorrow: Inside the Ikea PS 2026 Collection
Three days in Älmhult, where a foldable chair hangs like art, a bench rocks like Oktoberfest, and a chair you sit on turns out to be air.
Malabon artist sets sail for Venice
Ronald Ventura transforms boat-body sculptures and lunar motifs into a meditation on water, survival, and the fragile ties between two cities.