All Stories

Everything we've published, newest first.

The Punk Jazz: The Jaco Pastorius Anthology CD and sleeve, showing Jaco with his bass guitar, on a mottled paint-splashed surface

Jaco Pastorius and the music of the spheres

The first career-spanning Jaco Pastorius anthology arrives, and the bassist who reinvented the instrument gets the retrospective he was owed.

By Igan D'Bayan · May 16, 2003
A Cthulhu figure sits alone in the empty seats of a dark concert hall, facing a stage of guitars, amps and drums beneath a giant Rolling Stones tongue-and-lips backdrop

You Can’t Always Get What You Want (in Bangkok)

Nothing could stop me from seeing the Stones live in Bangkok, except the possibility of a dead me. Severe Anxiety over the Rolling Stones.

By Igan D'Bayan · April 20, 2003
A screaming blue infant in a superhero suit and red cape wears a pageant sash reading 2003, standing against a dark painted backdrop

Let the old freaky year make way for the new freaky year

A year-end gratitude list from a man at peace with the freaks: working ears, a flushing toilet, legal beer, and readers who write back.

By Igan D'Bayan · January 8, 2003
Audioslave’s self-titled debut CD: a lone figure before the giant golden flame, jewel case open on a paint-crusted table

Can Chris Cornell save Rock ’n’ Roll?

Audioslave will be crucified for not being Soundgarden and not being Rage. But pure, visceral rock is exactly what the scene has been missing.

By Igan D'Bayan · December 2, 2002
The Rolling Stones’ ‘Forty Licks’ CD, the weathered tongue-and-lips logo cover resting on a paint-splattered palette

The Rolling Stones and the gathering moss of time

Is ‘Forty Licks’ an epitaph for the world’s greatest rock band, or a threat of more to come? Forty years of Jagger, Richards and the gathering moss.

By Igan D'Bayan · October 9, 2002
Close-up of a green tentacle-faced Cthulhu in round tinted glasses, the words ALMOST and INFAMOUS lit across the lenses above a crowd and stage lights

Almost Infamous: Zen and the art of rock n’ roll heckling

How a rusty caterpillar ride at Fiesta Carnival and one Scorpions song turned a Malabon kid into a rock critic. No money for nothing.

By Igan D'Bayan · September 16, 2002
Charcoal figure studies on easels and scattered across the floor of a peeling, light-filled life-drawing studio with plaster busts

Sketching skinscapes and other epiphanies

A Saturday nude sketching session with Malang, Arturo Luz, BenCab and Anita Magsaysay Ho, and one starving non-artist with a mangled pencil.

By Igan D'Bayan · August 18, 2002
Painting on a vinyl record of a pale carcass hanging upside down over a black-and-white checkered floor as a ghostly animal creeps in from the edge

Apocalypse to the Ears: The most mind-altering albums of all time

Turn me on, demons: nine albums that rearrange the furniture in your head, from Jane’s Addiction to Coltrane, with the tenth slot left empty.

By Igan D'Bayan · July 23, 2002
Satirical pop-rock picture disc spinning on a Technics turntable, Nickelback’s ‘Silver Side Up’ vinyl propped behind

Caught between pop rock and a hard place

Pop rock is safe as milk: a 2002 broadside on Puddle of Mudd, Hoobastank, Nickelback and the Goo Goo Dolls, graded without mercy.

By Igan D'Bayan · July 3, 2002
Dream Theater’s ‘Six Degrees of Inner Turbulence’ two-CD set, its scrawled red-and-black cover on a paint-smeared palette

Who’s afraid of Big Bad Prog?

Nearly everyone is afraid of prog rock: the labyrinthine structures, the odd time signatures, the lyrics about topographic oceans. Dream Theater is not.

By Igan D'Bayan · June 24, 2002
‘Echoes: The Best of Pink Floyd’ CD, its nested-frames cover art beside the geometric disc in an open jewel case

Floydian Psychology 101

Not a greatest-hits and not an epitaph. Twenty-six tracks that work as a primer, engineered to send you back for the entire Pink Floyd catalogue.

By Igan D'Bayan · June 9, 2002
An Under Rug Swept CD tilted open beside its sleeve, Alanis Morissette’s flame-haired red-and-blue portrait doubled on disc and cover, on a paint-smeared tabletop

Queen of Pain revisited

Alanis Morissette is light years past the grrls she gets lumped with, but ‘Under Rug Swept’ leaves her where we found her, and overdue a reinvention.

By Igan D'Bayan · June 2, 2002