Thread

Rock & Roll

29 stories

A tentacled figure in a dark overcoat stands on a rainy seaside promenade beneath a red umbrella, book in hand, as fish rain from the grey sky past a Victorian lamppost

So long, 2024, and no thanks for all the phish

Phishing texts, meetings about meetings, and A.I. acquaintances suddenly writing like Hitchens. Welcoming the new year with a renewed sense of dread.

By Igan D'Bayan · January 4, 2025
In a black-and-white photo, guitarist Noli Aurillo bends low over his acoustic guitar, hair veiling his face, playing in a dim bar beside a microphone stand

The day the music died

Goodbye to the late, great Noli Aurillo, who chanted ‘Au au au!’ to the room before conjuring magic with a deck of cards or one guitar.

By Igan D'Bayan · October 25, 2021
Martin Honasan and Barbie Almalbis on a sofa in a warm-lit room, he looking through a large sketchpad, she playing a semi-hollow electric guitar, guitars hanging on the wall behind

At home with Martin Honasan & Barbie Almalbis: Cradle of art, love & a cat named after Vernie Varga

A house tour with Martin Honasan and Barbie Almalbis: a cradle of art and love, boxes of keepsakes nobody throws out, and a cat named after Vernie Varga.

By Igan D'Bayan · July 13, 2019
Pepe Smith onstage in a plaid shirt with a white Les Paul, two bandmates and a Hartke bass stack behind him in the dark

Ang himig ni Pepe Smith

A farewell to Joey ‘Pepe’ Smith, father of Pinoy rock: Juan de la Cruz Band, the Jingle years, a shared film set, and the songs too hard to play now.

By Igan D'Bayan · February 3, 2019
A hyena in a bathrobe slumps on a sofa with beer bottles and a pizza box, walled in by stacks of romantic comedies under a poster reading Amor Vincit Omnia, Love Hurts

Love hurts… and so does rectal probing

A Valentine’s dispatch from the pit: heartbreak playlists, actual rectal probing, the smiley of doom, and why, oooh, crap hurts.

By Igan D'Bayan · February 14, 2012
Three-eyed Cthulhu in a leather jacket croons “I Will Survive” at a karaoke dive bar strung with San Miguel Beer neon, as two alien patrons nurse their drinks at the next table

Videoke of Doom at the End of the World

Three minutes as Ian Brown, then back to being you. Nights in the karaoke rooms of Malate, where no one ever gets over anybody.

By Igan D'Bayan · February 28, 2011
Cthulhu figurine in a graduation cap and gown striking a disco pose, one arm raised, before a crowd of horror-figure toys on a wooden floor

Dance the disco corrosion

A commencement address for the doomed: writer’s block, Eva Longoria as a sign of the apocalypse, and one ordinary Monday that broke a heart.

By Igan D'Bayan · April 5, 2010
Patrons gathering at the bar inside the legendary Penguin Cafe in Malate

Last rites at Penguin

A last drink at Penguin Cafe in Malate: Noli Aurillo plucking, a Rolling Stones epitaph, and thanks for all the fish crackers.

By Igan D'Bayan · January 4, 2010
Pasted-up Sex Pistols poster reading Anarchy in Japan on a sticker-covered wall, neon Kabukicho signs down the wet street behind it

The filth, the fury, Makuhari

The Sex Pistols at Summer Sonic in Chiba: four old punks who should have been dead by now, playing tight to a thousand trembling Japanese lambs.

By Igan D'Bayan · September 12, 2008
Illustrated lowbrow crowd of eyeball-headed kids, skeleton punks and a vintage hot rod outside La Luz De Jesus Gallery on Hollywood Boulevard at dusk

La Luz in my religion

Inside La Luz De Jesus on Hollywood Boulevard, the gallery that turned lowbrow art into a congregation, with a gift shop of relics and toys.

By Igan D'Bayan · January 18, 2008
A horned devil in a fur coat raises a whiskey in a room crammed with Eagles memorabilia, a Hotel California neon sign, gold records and a 2010 Long Road Out of Eden ticket for the Nokia Theatre in Los Angeles

From Hell to Eden and back: Welcome to the Eagles gig in California

The Eagles at the Nokia Theater in Los Angeles, Hotel California in full cinematic paranoia, for a crowd still hoping to party like 1979.

By Igan D'Bayan · November 18, 2007
Illustrated wild-haired figure in black leans against the graffiti-covered Berlin Wall, KEINE MAUER KANN UNS TRENNEN painted on the concrete, the TV Tower in the distance

Achtung Berlin

A vanished Wall, neo-expressionists on Sophienstrasse, and the ghosts of Bowie, Iggy and Lou still loitering around Hansa Studios.

By Igan D'Bayan · June 1, 2007
Illustrated Cthulhu in an indigo yukata carries a paper umbrella and a Tokyo lantern through rainy, neon-lit Shibuya Crossing

A city where the lights never go out

Two Japans in one trip: ninja houses and the record bins of Akihabara, then the long silence of the A-Bomb Dome in Hiroshima.

By Igan D'Bayan · September 25, 2005
A bearded Victorian naturalist in a specimen-filled study holds a wooden sign lettered Questions 67 & 68 beside a skull, a tortoise and a microscope

Questions 67 and 68

Why do noontime hosts say happy viewing, why do movie goons wear leather in this heat, and what does Hollaback Girl actually mean?

By Igan D'Bayan · August 5, 2005
Three men resembling Kerouac, Ginsberg and Burroughs sit over beers in a dim bar hung with Big Beat poetry reading posters and a Schlitz sign

The brats of Beat

Kerouac with Steve Allen on piano, Ginsberg howling, Burroughs on a hip-hop record. The spoken-word albums of the Beats, for freaky times.

By Igan D'Bayan · July 22, 2005
The Mars Volta’s De-Loused in the Comatorium CD and sleeve, showing a golden head on a surgical tray, on a mottled paint-splashed surface

Space cadets glow

The Mars Volta’s Frances the Mute is a kick to the groin of pop: salsa breaks, Flea on trumpet, and Cedric Bixler-Zavala’s frantic flailing.

By Igan D'Bayan · April 29, 2005
Illustrated wild-haired figure in all black strides across the Abbey Road zebra crossing in London, a white Beetle parked by the studio wall

London calling

A shoestring rock and roll pilgrimage through London: Denmark Street, Trident Studio, the Apple rooftop, and finally the Abbey Road crossing.

By Igan D'Bayan · December 19, 2003
Renaissance-style portrait of Christina Aguilera, Michael Stipe, the Black Eyed Peas, The Darkness and the Chemical Brothers in ruffs and velvet beneath cherubs

Catfights, jackasses and metaphysics at the 2003 MTV Europe Awards

Awards night in Edinburgh: a Christina-versus-Kelly feud, Jackass mayhem, and Michael Stipe insisting rock isn’t dead yet.

By Igan D'Bayan · November 21, 2003
Radiohead’s Hail to the Thief CD and its road-sign collage sleeve lie open on a mottled, paint-splashed surface

The aural wallpaper to emptiness

Radiohead retreats from the electronics of Kid A back to guitars, and Thom Yorke keeps on chronicling the abyss. A Hail to the Thief review.

By Igan D'Bayan · July 11, 2003
A Cthulhu figure sits alone in the empty seats of a dark concert hall, facing a stage of guitars, amps and drums beneath a giant Rolling Stones tongue-and-lips backdrop

You Can’t Always Get What You Want (in Bangkok)

Nothing could stop me from seeing the Stones live in Bangkok, except the possibility of a dead me. Severe Anxiety over the Rolling Stones.

By Igan D'Bayan · April 20, 2003
Audioslave’s self-titled debut CD: a lone figure before the giant golden flame, jewel case open on a paint-crusted table

Can Chris Cornell save Rock ’n’ Roll?

Audioslave will be crucified for not being Soundgarden and not being Rage. But pure, visceral rock is exactly what the scene has been missing.

By Igan D'Bayan · December 2, 2002
The Rolling Stones’ ‘Forty Licks’ CD, the weathered tongue-and-lips logo cover resting on a paint-splattered palette

The Rolling Stones and the gathering moss of time

Is ‘Forty Licks’ an epitaph for the world’s greatest rock band, or a threat of more to come? Forty years of Jagger, Richards and the gathering moss.

By Igan D'Bayan · October 9, 2002
Close-up of a green tentacle-faced Cthulhu in round tinted glasses, the words ALMOST and INFAMOUS lit across the lenses above a crowd and stage lights

Almost Infamous: Zen and the art of rock n’ roll heckling

How a rusty caterpillar ride at Fiesta Carnival and one Scorpions song turned a Malabon kid into a rock critic. No money for nothing.

By Igan D'Bayan · September 16, 2002
Painting on a vinyl record of a pale carcass hanging upside down over a black-and-white checkered floor as a ghostly animal creeps in from the edge

Apocalypse to the Ears: The most mind-altering albums of all time

Turn me on, demons: nine albums that rearrange the furniture in your head, from Jane’s Addiction to Coltrane, with the tenth slot left empty.

By Igan D'Bayan · July 23, 2002
Satirical pop-rock picture disc spinning on a Technics turntable, Nickelback’s ‘Silver Side Up’ vinyl propped behind

Caught between pop rock and a hard place

Pop rock is safe as milk: a 2002 broadside on Puddle of Mudd, Hoobastank, Nickelback and the Goo Goo Dolls, graded without mercy.

By Igan D'Bayan · July 3, 2002
Dream Theater’s ‘Six Degrees of Inner Turbulence’ two-CD set, its scrawled red-and-black cover on a paint-smeared palette

Who’s afraid of Big Bad Prog?

Nearly everyone is afraid of prog rock: the labyrinthine structures, the odd time signatures, the lyrics about topographic oceans. Dream Theater is not.

By Igan D'Bayan · June 24, 2002
‘Echoes: The Best of Pink Floyd’ CD, its nested-frames cover art beside the geometric disc in an open jewel case

Floydian Psychology 101

Not a greatest-hits and not an epitaph. Twenty-six tracks that work as a primer, engineered to send you back for the entire Pink Floyd catalogue.

By Igan D'Bayan · June 9, 2002
An Under Rug Swept CD tilted open beside its sleeve, Alanis Morissette’s flame-haired red-and-blue portrait doubled on disc and cover, on a paint-smeared tabletop

Queen of Pain revisited

Alanis Morissette is light years past the grrls she gets lumped with, but ‘Under Rug Swept’ leaves her where we found her, and overdue a reinvention.

By Igan D'Bayan · June 2, 2002
Road-worn black Fender Precision Bass with a tortoiseshell pickguard on a stand, beside a bass amp topped with a Wi-Fi router, neon-green cables plugged into both

Bass(ic) instinct and the Internet

Before tab sites, you learned Jaco by ear off a worn-out tape. An ode to the low end, written at the dawn of Internet music culture.

By Igan D'Bayan · June 8, 2001